First Annual Good on Paper Exhibit: Drawings and Paintings
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Piers Secunda911 Steel Beam Rust Drawing (Abbottabad Ancient Trees), 2021Steel beam rust ink on paper56 x 76 cm -
Piers Secunda911 Steel Beam Rust Drawing (Root Over Rock) , 2021Steel beam rust ink on paper76 x 56 cm -
Danny RolphEvent #1, 2019Watercolor, ink on khadi paper41.9 x 30.5 cm -
Danny RolphEvent #2, 2019Watercolor, ink on khaki paper29.2 x 21 cm -
Danny RolphEvent #3, 2019Watercolor, ink on khadi paper29.2 x 21 cm -
Diana CopperwhiteUntitled #1, 2020Watercolor on paper48.9 x 71.1 cm -
Diana CopperwhiteUntitled #2, 2020Watercolor on paper49.5 x 71.1 cm -
Henry MandellStudy for Theory Of Mind 026, 2021Graphite, watercolor and colored pencil on paper17.1 x 17.1 cm -
Henry MandellStudy for Theory Of Mind 031, 2021Watercolor, graphite, colored pencil on paper22.9 x 22.9 cm -
Henry MandellStudy of Theory Of Mind 001, 2021Graphite, watercolor on paper17.1 x 17.1 cm -
Jean-Guerly PetionQuick reclining gesture, 2021Oil pastels, acrylic on paper26.7 x 38.7 cm -
Jean-Guerly PetionChamp bleu étrusque, 2018Acrylic on paper34.3 x 24.1 cm -
Jean-Guerly PetionFleur pays, 1999Ink on paper76.2 x 55.9 cm -
John Alexander ParksLupin Garden, Chatsworth, 2015Gouache on paper26.4 x 37.5 cm -
John Alexander ParksStudy for ‘Fight at the Stock Exchange', 2015Pen, ink, with watercolor wash on paper43.2 x 60.3 cm -
John Alexander ParksTerrace, Kiftsgate, 2015Gouache on paper31.1 x 54.6 cm -
Julie LangsamLandscape Intervention: Boone County, WV: Pale Blue Form #129, 2022Hand drawn ink on photograph21.6 x 27.9 cm -
Julie LangsamLandscape Intervention: Boone County, WV: Pink Shape #127, 2022Hand drawn ink on photograph21.6 x 27.9 cm -
Julie Langsam, Landscape Intervention: Campbell County, WY: Blue 'X' #148, 2022 -
Per AdolfsenCanal in the Fields III, 2021Graphite, colored pencil on paper42 x 30 cm -
Per AdolfsenA Poem Left in the Sand, 2021Graphite, colored pencil on paper42 x 30 cm -
Per AdolfsenRainy Skies at Boels Bro, 2021Graphite, colored pencil on paper42 x 30 cm -
Per AdolfsenThe Lake, 2021Graphite, colored pencil on paper42 x 30 cm -
Per AdolfsenLa Maison Rouge, 2021Graphite, Color Pencil42 x 30 cm -
Per AdolfsenThe Old Mill, 2021Colored pencil, pencil, chalk on paper60 x 42 cm -
Per AdolfsenStable by the Fjord, 2021Graphite, colored pencil on paper42 x 30 cm -
Per AdolfsenBunker on the Beach, 2021Graphite, colored pencil on paper60 x 42 cm -
Susana GuerreroCorset, the evil in me 2 / Corse, el Mal en mi 2, 2022Ink on paper21 x 14.5 cm -
Susana GuerreroInside, the evil in me 3 / Interior, el mal en mi 3, 2022Ink on paper21 x 14.5 cm -
Susana GuerreroIntesines, the evil in me / Intestinos / el mal en mi, 2022Ink on paper21 x 14.5 cm -
Pedro VizcainoTAXI, 2020Ink, acrylic, color pencil on paper19.7 x 29.8 cm -
Pedro VizcainoAirplane, 2020Ink, acrylic, color pencil on paper29.2 x 19.7 cm -
Pedro VizcainoU.F.O., 2020Ink, acrylic, color pencil on paper19.7 x 29.8 cm -
Paco MarcialMagneti et Marelli, 2022Kuretake Zig, watercolor markers, graphite, ink on paper20.3 x 29.5 cm -
Paco MarcialIn Conversation with Klappstuhl und Fanta, 2022Kuretake Zig watercolor markers, graphite, ink on paper20.3 x 29.5 cm -
Paco MarcialFarbige Fussboden, 2022Kuretake Zig, watercolor markers, graphite, ink on paper20.3 x 29.5 cm -
Paco MarcialJe ne sais quoi… mais je l’ai fait!, 2022Kuretake Zig watercolor markers, graphite, ink on paper20.3 x 29.5 cm -
Paco MarcialSitting on Tyre's watching time go by, 2022Kuretake Zig watercolor markers, graphite, ink on paper20.3 x 29.5 cm -
Paco MarcialUnder Fina sign, 2022Kuretake Zig, watercolor markers, graphite, ink on paper29.5 x 20.3 cm -
Paco Marcial’70 Au Naturel, 2022Kuretake Zig watercolor markers, graphite, ink on paper20.3 x 29.8 cm -
Alberto Alejandro RodriguezPrologo 02, 2019Book cover, artist paper, (two volumes)29 x 25.9 x 10.2 cm
Good on Paper: Drawings and Paintings, an exhibition of works on paper at 532 Gallery, presents new work by fourteen contemporary artists: Alberto A. Rodriguez, Carlos R. Cardenas, Danny Rolph, Diana Copperwhite, Henry Mandell, Ian Hughes, Jean-Guerly Pétion, John A. Parks, Julie Langsam, Paco Marcial, Pedro Vizcaino, Per Adolfsen, Piers Secunda, and Susana Guerrero. The exhibit is intended to be the first in an annual series of group shows dedicated to displaying works on paper by the artists of 532 Gallery Thomas Jaeckel.
Works on paper have always had a particular appeal of their own, a liminal status in the continuum of physical objects from sculpture to fresco to mural to canvas. Writing in October, the critic Ewa Lajer-Burcharth noted that the medium
acquired in the 18th century an altogether different status and meaning: It came to be recognized as an autonomous artistic form; an index of the artist’s personal style; an object of aesthetic contemplation and critical reflection; and, ultimately, a commodity.
Just as the works here display a wide range of styles, media, and approaches, so too do they fit into the various ontological categories suggested by Lajer-Burcharth. That versatility, that plasticity of expressiveness, is in the end the source of their vitality and appeal. With Good on Paper, we have a concise summary and vivid snapshot of the aesthetics of our shared moment.
