Works
  • Elio Rodriguez, Leona´s Flower S, 2021
    Elio Rodriguez
    Leona´s Flower S, 2021
    Soft scultpure, fabrics
    150 x 200 x 50 cm
  • Elio Rodriguez, Motherhood Green (according to Lam), 2021
    Elio Rodriguez
    Motherhood Green (according to Lam), 2021
    soft sculpture
    31 x 39 inches
  • Elio Rodriguez, Golden Garden, 2019
    Elio Rodriguez
    Golden Garden, 2019
    Acrylic, mixed media
    78.7 x 53.3 x 30.5 cm
  • Elio Rodriguez, Forest on the Wall #1, 2016
    Elio Rodriguez
    Forest on the Wall #1, 2016
    Soft sculpture, rubber and found objects.
    20x 20 x 20 inches
  • Elio Rodriguez, Ceiba Negra #1 , 2009
    Elio Rodriguez
    Ceiba Negra #1 , 2009
    soft scuplture, rubber, plastic
    200 x 150 x 30 cm
  • Elio Rodriguez, Jungla Desnuda, 2021
    Elio Rodriguez
    Jungla Desnuda, 2021
    soft sculpture, acrylic
    150x150x40cm
  • Elio Rodriguez, Jungla Negra I, 2021
    Elio Rodriguez
    Jungla Negra I, 2021
    Cotton, velvet, mixed media
    60 x 60 x 6 inches
  • Elio Rodriguez, Black Forest, 2022
    Elio Rodriguez
    Black Forest, 2022
    soft sculpture
    72 x 36 in
  • Elio Rodriguez, White Forest, 2022
    Elio Rodriguez
    White Forest, 2022
    soft sculpture
    72 x 36 in
  • Elio Rodriguez, Jungla Santera, 2021
    Elio Rodriguez
    Jungla Santera, 2021
    Soft sculpture, fabric, satin, beans
    59 x 59 x 8 inches
  • Elio Rodriguez, Tropical Garden, 2018
    Elio Rodriguez
    Tropical Garden, 2018
    Cotton, Mixed media
    101.6 x 66 x 15.2 cm
  • Elio Rodriguez, Jungla Oscura, 2021
    Elio Rodriguez
    Jungla Oscura, 2021
    Acrylic on canvas
    59 x 70.8 inches
Overview

Elio Rodriguez was born in 1966, and lives and works in Spain.  His practice is engaged with the system of judgments about a person, a culture or phenomenon.  Tapping the prism of Caribbean popular culture, its underlying humor and clichés formed about the culture, he builds witty and sensual works that seemingly incarnate that reality, and subtly and continuously question it.  The ambivalence of genres is key to understanding the essence of his work. Rodriguez conceives a game of illusions with the viewer using the language of form and surface — and ultimately reveals traces of doubt in the identity of a concept or an image.  His practice encompasses painting, installations, sculptures, prints, ceramics, and soft sculpture interacting with chosen objects, his  style referring to marks of Caribbean popular craftwork.

 

In 1994, he completed his arts studies at Havana’s Higher Institute of Art (ISA).  He has been awarded Art Residencies at Hutchins Institute, Harvard University, at Mattress Factory Art Museum, Pittsburg, and given lectures at Harvard University, NYU, and Swarthmore College.  His artwork has been displayed in several solo and group shows around the world. He is in public collections such as National Arts Museum, Cuba; Jersey City State University; Foundation AMBA, Brazil; Hainaut City Hall, Belgium; Peggy Crafitz Collection; Center For Cuban Studies, New York; Von Christierson Collection, London; Shelley & Donald Rubin Collection, New York; W.E.B. Du Bois Institute for African and African American Research, Harvard University.

 

Exhibitions
Art Fairs
Press