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Open a larger version of the following image in a popup: Morgan Ogilvie, Lady Liberty, 2025
Open a larger version of the following image in a popup: Morgan Ogilvie, Lady Liberty, 2025

Lady Liberty, Install

Morgan Ogilvie

Lady Liberty, 2025
Oil on canvas
101.6 x 76.2 cm

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Lady Liberty gestures toward larger cultural myths that feel unsettled. As a symbol of mediation, she embodies how narratives are constructed, consumed, and degraded over time. The work enacts a...
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Lady Liberty gestures toward larger cultural myths that feel unsettled. As a symbol of mediation, she embodies how narratives are constructed, consumed, and degraded over time. The work enacts a kind of “cultural digestion”: she is a monument that has begun to consume the ideals she once upheld, reflecting how icons and institutions can cannibalize themselves. In this moment of societal limbo, where old logics are decaying and new ones have yet to fully emerge, the painting captures the tension between collapse and possibility. Like the stories of Frankenstein, where creations exceed or unsettle their makers, Lady Liberty is no longer fully able to hold the weight of what she once represented. Yet this unsettling process is not purely nihilistic; it gestures toward the emergence of a new logic, hinting at the potential for cultural rebirth amid instability. Further, she symbolizes individuals who once held tremendous power as leading image makers and narrative shapers whose cultural products could literally capture global imagination. How much more powerful are today’s social media feeds?

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On a Bit of Earth Which Had No Name

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532 Gallery Thomas Jaeckel
Hammerstrasse 121
4057 Basel
Switzerland
info@532gallery.com

 

Opening Hours

Tuesday–Friday   14:00–18:00
Saturday                 11:00–17:00
By appointment upon request

 

Summer break

We reopen 28 August with On a Bit of Earth Which Had No Name

 

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