Jean-Guerly Petion uses symbols from Haiti, his country of birth, as well as imagery suggesting the extremes of wealth and poverty which exist there. His paintings confront emotionally charged first- and third-world class issues via theoretical texts and compelling images, such as that of his black man vaulting skyward over a strand of barbed wire. Often quoting theoretical texts drawn from Freud, Lacan, Deleuze and others, he refuses any simplistic reading of Voudoun symbology: Marcel Duchamp is stepping on Jean-Michel Basquiat! Petion’s depiction of power plays directly invokes the contemporary art scene itself in assemblage and mixed-media sculpture and painting. The work issues demands for a new reading of gods and commoners, hope and despair. Pétion holds a BFA from the Kansas City Art Institute, and an MFA from CalArts.
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Jean-Guerly PetionThe Myth of Luck(y) bath , 2019Acrylic, paper, on canvas269 x 152 cm -
Jean-Guerly PetionOh Let's Come Together Au Clair de la Lune, 2022mixed media paper fabric acrylics on canvas84 x 54 inches -
Jean-Guerly PetionSiesta ou pose facile, 2023Acrylic on Canvas11 x 14 inches -
Jean-Guerly PetionFleur pays, 1999Ink on paper
76.2 x 55.9 cm -
Jean-Guerly PetionVenus de l’anse á pitre ou le pari, 2022Acrylic on wood panel18 x 24 inches -
Jean-Guerly PetionQuick reclining gesture, 2021Oil pastels, acrylic on paper
26.7 x 38.7 cm -
Jean-Guerly PetionThe Unexpected Visitor, 2023Acrylic on canvas72 x 72 inches -
Jean-Guerly PetionThe Arrivant, 2017Acrylic on canvas
152.4 x 101.6 cm -
Jean-Guerly PetionIn Between Beneath the Mirror, 2018Acrylic, mixed media on canvas
210.8 x 134.6 cm -
Jean-Guerly PetionUngazed, 2020Mixed media: acrylic, paper, and fabric on canvas
91.4 x 61 cm
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