SPRING/BREAK Los Angeles 2024

27 February - 3 March 2024
  • SPRING/BREAK Art Show 2024 

    Los Angeles | February 27 - March 3, 2024

     

  •  Featured Artists: 
    Yongjae Kim | Jon MacGregor | Jean Guerley-Pétion | Lily Prince | Alberto Alejandro Rodriguez
     
    "Voices and Visions” weaves everyday experiences of interiority and exteriority into unfamiliar patterns. The exhibition alludes to the staggered flows of modern life, the dailiness of life on a grid, but stops just short of regimented reality. The shapeliness of articles of clothing becomes suffused with covert narratives; a sink softly fissures into a transgressive object; and the monolithic surfaces of buildings are earmarked by a sense of melancholic possibility.
  • Jon MacGregor , Daisy Pusher , 2024

    Jon MacGregor

    Daisy Pusher , 2024

    "Daisy pusher is about the moment in life, between life and death, where we exist life a flower picked from the root. Once we are born ill wilting process begins. Taken inspiration after Manet and art history."

  • Jon MacGregor’s lushly sculptured oil paintings handled with Renaissance-level skill portray such ordinary objects as shirts, door latches, washbasins, and curtains; two of them center painstakingly depicted broken eggs. The framing of the subjects is often disjointed or askew; when combined with the precise, glowing facture, the result is mysterious and mesmerizing.
  • Jon MacGregor , Wanderer at the Sad Cafe, 2024

    Jon MacGregor

    Wanderer at the Sad Cafe, 2024
    "Wanderer at the Sad Cafe was an exploration of light and form and the awareness that in the end we all fade like the flowers. Both coming to terms with that and a brief annoyance of knowing what we love won’t last forever."
  • Yongjae Kim, Visitor II, 2023

    Yongjae Kim

    Visitor II, 2023
    Yongjae Kim’s paintings project an aura of unknowableness, of epistemological uncertainty. Their hyper-accurate attack displays both stunning technical command and a playful sense of multiple realities in collision. His ethereal beauty of paintings conceals a tough-minded skepticism of radical empiricist bent — as with all photorealistic painting, the basic acts of perception and vision are called into question by the aggressive blurring of medium.
  • Yongjae Kim, Visitor I, 2023

    Yongjae Kim

    Visitor I, 2023
    Oil on panel
    12 x 9 inches
  • Lily Prince, Desert Candy, 2023

    Lily Prince

    Desert Candy, 2023

    "One of my favorite places on the planet to draw en plein air is the Sonoran Desert in Arizona with its imposing Saguaro cacti. They seem frozen in time, almost human—quiet and still but forever watchful. They, and all the desert’s flora, seem pleasing in their unusual beauty, lolling us into a sweet complacency. But this landscape is imbued with a fierceness that at any moment could strike."

  • What makes Lily Prince’s work significant is not only her choice of colors, but the way in which she abstracts from illusionistic space, preserving only the essential character of a landscape. Those two perspectival restrictions—figure and ground—which representational artists cling to, are lucidly eschewed in Prince's work. This doesn’t make her work any less observational; rather, it enriches the tradition of en plein air painting to include unfamiliar elements.
  • Lily Prince, Fertile Moon, 2022

    Lily Prince

    Fertile Moon, 2022

    "The power and influence of the moon on tides and human cycles affects our moods and more significantly the continuation of our species. We gaze, we admire, we anthropomorphize the moon recognizing our own fragility in her alternating presence."

  • Lily Prince, Just Before Dawn, 2023

    Lily Prince

    Just Before Dawn, 2023

    "Being awake at pre-dawn hours during what should be a time of rest can be maddening but also beautiful. Inner thoughts can be in conflict with the peaceful solitude of the world before it wakes, producing a tumultuous sense of one’s place in the world."

  • Alberto A. Rodriguez, Auriga (2nd version, Havana), 2021

    Alberto A. Rodriguez

    Auriga (2nd version, Havana), 2021
    Using ruined architectures as a backdrop, Alberto Alejandro Rodríguez constructs liminal spaces suggestive of abandoned spaces, entrances leading nowhere. In an effort to articulate how the vestiges of human effort that earmark such spaces can align with polarizing feelings of rootlessness and nostalgia, Rodríguez underscores the political narratives that are encrusted onto the surfaces of these sites. These narratives are written in a cipher of wood and iron, swaths of torn-up wallpaper. But it’s only through the process of destruction, as it gradually reveals foundations which would normally be kept hidden, that the true cornerstones of our society can come to light.
  • Alberto A. Rodriguez, Auriga , 2023

    Alberto A. Rodriguez

    Auriga , 2023
    Pladur, wood, iron, wallpaper.
    12 x 12 x 3 inches
  • Jean-Guerly Petion, Echoes of the Primordial , 2021 - 2024

    Jean-Guerly Petion

    Echoes of the Primordial , 2021 - 2024

    At 8 feet tall, Jean-Guerly Petion’s latest sculpture, “Echoes of the Primordial" anchored by a cement base from which a central pole ascends, meticulously wrapped in wire to form a grandiose flower, its petals delicately crafted from papier-mâché, a large toy snake, once beloved by the artist's son, gracefully coiling around the pole -- symbolizing the intertwining of growth, memory, the passage of time. The choice of materials and symbols speak to the essence of those wistful moments that live on, binding themes of nostalgia, connection, and eternal unfolding.

     

    • Alberto Alejandro Rodriguez Phalanges (Factory La Favorita III, Manresa, Barcelona), 2023 Acrylic on wood panel 38 x 46 cm
      Alberto Alejandro Rodriguez
      Phalanges (Factory La Favorita III, Manresa, Barcelona), 2023
      Acrylic on wood panel
      38 x 46 cm
    • Alberto Alejandro Rodriguez Phalanges (Factory La Favorita I, Manresa, Barcelona), 2023 Acrylic on wood panel 38 x 46 cm
      Alberto Alejandro Rodriguez
      Phalanges (Factory La Favorita I, Manresa, Barcelona), 2023
      Acrylic on wood panel
      38 x 46 cm
    • Yongjae Kim Visitor I, 2023 Oil on panel 12 x 9 inches
      Yongjae Kim
      Visitor I, 2023
      Oil on panel
      12 x 9 inches
    • Yongjae Kim Visitor IV, 2023 Oil on panel 8 x 8 inches
      Yongjae Kim
      Visitor IV, 2023
      Oil on panel
      8 x 8 inches
    • Yongjae Kim Visitor II, 2023 Oil on panel 8 x 10 inches
      Yongjae Kim
      Visitor II, 2023
      Oil on panel
      8 x 10 inches
    • Yongjae Kim Visitor III, 2023 Oil on panel 10 x 8 inches
      Yongjae Kim
      Visitor III, 2023
      Oil on panel
      10 x 8 inches
    • Yongjae Kim Outdoor Lunch, 2022 Oil on linen 40 x 40 inches
      Yongjae Kim
      Outdoor Lunch, 2022
      Oil on linen
      40 x 40 inches
    • Jon MacGregor Daisy Pusher , 2024 Oil on canvas 30 x 48 Inches
      Jon MacGregor
      Daisy Pusher , 2024
      Oil on canvas
      30 x 48 Inches
    • Jon MacGregor Wanderer at the Sad Cafe, 2024 Oil on canvas 24 x 24 inches
      Jon MacGregor
      Wanderer at the Sad Cafe, 2024
      Oil on canvas
      24 x 24 inches
    • Lily Prince Desert Candy, 2023 Oil on canvas 20 x 20 inches
      Lily Prince
      Desert Candy, 2023
      Oil on canvas
      20 x 20 inches
    • Jean-Guerly Petion Echoes of the Primordial , 2021 - 2024 79 x 36 x 12 inches Mixed media assemblage
      Jean-Guerly Petion
      Echoes of the Primordial , 2021 - 2024
      79 x 36 x 12 inches
      Mixed media assemblage