Works
  • Susana Guerrero, Ngana, 2024
    Susana Guerrero
    Ngana, 2024
    Ceramics with glaze and ceramic gold, wood and brass
    45 x 35 x 20 cm
  • Susana Guerrero, Crown / Corona , 2020
    Susana Guerrero
    Crown / Corona , 2020
    Glazed pottery with gold and white marble
    30 x24 x 13 cm
  • Susana Guerrero, La Mare dels Peixos, 2017
    Susana Guerrero
    La Mare dels Peixos, 2017
    Woodcut on skin and enameled ceramics
    200 x 200 x 10 cm
  • Susana Guerrero, Armadura Para Medusa: Casco y collarin / Armor for Medusa: Helmet and Collar , 2016
    Susana Guerrero
    Armadura Para Medusa: Casco y collarin / Armor for Medusa: Helmet and Collar , 2016
    Latõn y penca de agave / Brass and agave leaf
  • There is always a tongue that listens to you; the tonsils.
    Susana Guerrero
    'Siempre hay una lengua que te escucha; labios / There is always a tongue that listens to you; the tonsils', 2023
    Metal, cable tejido y cerámica esmaltada / Metal, woven wire and glazed ceramic
    240 x 55 x 20 cm
  • Susana Guerrero, Siempre hay una lengua que te escucha; labios / There is always a language that listens to you; the lips, 2023
    Susana Guerrero
    Siempre hay una lengua que te escucha; labios / There is always a language that listens to you; the lips, 2023
    Metal, cable tejido y cerámica esmaltada / Metal, woven wire and glazed ceramic
    60 x 80 x 30 cm
  • Susana Guerrero, Siempre hay una lengua que te escucha; lengua / There is always a language that listens to you; the tongue, 2023
    Susana Guerrero
    Siempre hay una lengua que te escucha; lengua / There is always a language that listens to you; the tongue, 2023
    Metal, cable tejido y cerámica esmaltada / Metal, woven wire and glazed ceramic
    140 x 80 x 30 cm
  • Susana Guerrero, The Mother / La Madre, 2020
    Susana Guerrero
    The Mother / La Madre, 2020
    Brass, terminals, woven cable, ceramic,
    170 x 155 x 150 cm
  • Susana Guerrero, Amarre, 2021
    Susana Guerrero
    Amarre, 2021
    Glazed ceramic with gold
    40.6 x 20.3 x 12.7 cm
  • Susana Guerrero, Filtros de Sangre / Blood Filters, 2018
    Susana Guerrero
    Filtros de Sangre / Blood Filters, 2018
    Glazed ceramic and braided electrical wire
    200.7 x 119.4 x 10.2 cm
  • Susana Guerrero, Mask, 2020
    Susana Guerrero
    Mask, 2020
    Ceramic
    10.2 x 30.5 x 7.6 cm
  • Susana Guerrero, Jaguar (Barnacles), 2020
    Susana Guerrero
    Jaguar (Barnacles), 2020
    Ceramic
    20.3 x 20.3 x 20.3 cm
  • Susana Guerrero, La Madre Devorada / The Devoured Mother, 2020
    Susana Guerrero
    La Madre Devorada / The Devoured Mother, 2020
    Glazed ceramic and braided electrical wire
    71.1 x 27.9 x 20.3 cm
  • Susana Guerrero, La Bomba De Leche / Milk Bomb, 2009
    Susana Guerrero
    La Bomba De Leche / Milk Bomb, 2009
    Glazed ceramic with gold
    24.1 x 24.1 x 24.1 cm
  • Susana Guerrero, Arrancarse Los Dientes / Tear Off Teeth, 2018
    Susana Guerrero
    Arrancarse Los Dientes / Tear Off Teeth, 2018
    Glazed ceramic, metal and agave spikes
    76.2 x 48.3 x 48.3 cm
  • Susana Guerrero, Garras / Claw, 2019
    Susana Guerrero
    Garras / Claw, 2019
    Marble, Agave thorns with gold
    10.2 x 38.1 x 15.2 cm
  • Susana Guerrero, Corse de Agave (Agave Corset), 2017
    Susana Guerrero
    Corse de Agave (Agave Corset), 2017
    Brass and stitched agave stalk
    35.6 x 35.6 x 61 cm
  • Susana Guerrero, The evil in me I / El Mal en mi I, 2018
    Susana Guerrero
    The evil in me I / El Mal en mi I, 2018
    Woven cable, enameled ceramic and brass
    95 x 37 x 20 cm
  • Susana Guerrero, Autopsia del mito/Autopsy of the myth, 2016
    Susana Guerrero
    Autopsia del mito/Autopsy of the myth, 2016
    Wire, ceramic glazed, mechanism and brass/Cable, laton, ceramica esmaltada y mecanismo
    152.4 × 139.7 × 15.2 cm
Overview

Susana Guerrero lives and works in Elche, Spain, where she was born in 1972. With artistic scholarships of residency she has expanded her studies in Greece, Mexico and Germany. The traditional mythologies form these cultures have marked her artistic practice which is fully imbued of the spirit of their mythologies, lives with them, making them her own and expressing herself through the characters and stories that populate her works.

 

Guerrero’s oeuvre has been been featured internationally in galleries and major institutions, including Museum of Antioquia, Medellín, Colombia; Center for Visual Arts Development, Havana, Cuba; Museo Arte Moderno Santo Domingo, Dominican Republic; Museum of Contemporary Art Guatemala; Cultural Center Spain, Miami; Instituto Cervantes, Tangier, Morocco; Haus der Kunst, Munich, Germany; Kunstlerhaus, Munich, Germany; Charpa Gallery, Valencia; Deposito 14 Gallery, Madrid; Punto y Línea Gallery, Oaxaca, Mexico; Gallery Casa del Lago, Mexico; D.F. Instituto México, Spain, Madrid; Kazni Nowej, Krakow, Poland; IVAM, Valencia; MACUF, A Coruña, Spain; Villa Serena, Bologna, Italy; Planetarium Gallery, Trieste, Italy; Museo Ciudad Juárez, Mexico; Museum of Contemporary Art Ibiza, Spain; University of Manzanillo Gallery, Mexico; National Calcography, Madrid; National Autonomous University of Mexico; International Center of India, New Delhi, India.

 

Guerrero’s work is in private and public collections, including Kunstlerhaus, Munich, Germany; National Autonomous University of Mexico; University of Cantabria; Museum of Contemporary Spanish Engraving, Marbella.  Her most recent solo exhibitions of Guerrero include “RITO”, Tanzfakture, Cologne, Germany (2017); “Anatomy of a Myth”, Spanish Cultural Center, Miami (2017); “Anatomy of a Myth” 532 Gallery Thomas Jaeckel, New York (2016); “RITO” Museum of Contemporary Art of Elche, Spain (2016); “RITO”, Museum of Contemporary Art of Alicante, Spain (2016). 

 

Artist Statement:

“My artwork comes from a daily experience where I create a contemporary mythology that puts on a same level the physical reality, the oneiric material of dreams, the subconscious, magic, the offering, the visible and the hidden reality that surround us. The process of making the artwork it’s like a ritual; the choice of every material, the configuration of every shape, of every element, brings a poetic meaning and symbolism to the artwork. The process as exorcism, the transformation of physical pain as purification of the body and the spirit, its laceration as the offering to the miracle of life.”

 

- Susana Guerrero 

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